Punching that time card outside of The Florence Casket Factory. Verbal exterior tours are contrasted with a ritual of contortion relegated to outside. Movement as an alienated impulse and an act against efficiency. Reaching for something beyond the task. 

Labor reifies linear time, and production promotes an obsession with futurity. The casket is the conclusion of this ideology, as it indicates the finality of a body and the endlessness of production. Thus to outlive production, one must root themself in more than a task, position, or singular body. As there is no pine box big enough for the spirit.