Across performance, sound, image, and sculpture, my work is concerned with motion, multiplicity of self, nonlinear time, and archetypal forms.
For me movement is an index of the spirit, like bird migrations, termite murals, or tree rings: traces of an invisible performance, resultant forms of being. Sequence, rather than stillness, is my preferred mode of portraiture, as it reflects a turbulent relationship with time and selfhood. A sacred restlessness.
Using physical action as a frequent tool, I view dance not as entertainment but as reversal—as an externalization of life energy, a reaching for what is essential. This radically intuitive approach to performance is in active conversation with optimized cultural spaces: labor, sport, and social media among them. In this equation, new forms come about in the tension between the mediated and the anarchic, the deterministic and the unpredictable, the body and the spirit. Decayed relics of modernity serve as fertile grounds for play.
By privileging affect and sensation over fixed meaning, I seek to produce spaces of disorientation, entrancement, and recontextualization—where pre-cognitive forms of knowledge can surface. Long tones, floating signifiers and ecstatic movement express a state of collective flux and non identification. A blurring of subject and a fading of boundary.
My work is an attempt to materialize this dusk.